Critic Andrea Scott reviewed No Forms in The New Yorker.
In the group exhibition “No Forms,” on view at the Hill Art Foundation through July 15, the curator Margot Norton places a trio of Martin’s numinous works in a gratifyingly rangy conversation with recent pieces by seventeen female and gender-nonconforming artists, with an eye on restrained beauty and a slippage of categories. Read the full article here.
Critic Andrea Scott reviewed No Forms in The New Yorker.
In the group exhibition “No Forms,” on view at the Hill Art Foundation through July 15, the curator Margot Norton places a trio of Martin’s numinous works in a gratifyingly rangy conversation with recent pieces by seventeen female and gender-nonconforming artists, with an eye on restrained beauty and a slippage of categories. Read the full article here.