Critic Andrea Scott reviewed Lux and Lumen: Spencer Finch in The New Yorker.
“Lux and Lumen: Spencer Finch,” on view at the Hill Art Foundation through March 4, is a whirlwind retrospective of the artist’s career in ten works, seen in the company of a magnificent, newly restored Gothic stained-glass window, “The Creation and the Expulsion from Paradise,” made in 1533, by Valentin Bousch, for an Alsatian church. Read the full article here.
Critic Andrea Scott reviewed Lux and Lumen: Spencer Finch in The New Yorker.
“Lux and Lumen: Spencer Finch,” on view at the Hill Art Foundation through March 4, is a whirlwind retrospective of the artist’s career in ten works, seen in the company of a magnificent, newly restored Gothic stained-glass window, “The Creation and the Expulsion from Paradise,” made in 1533, by Valentin Bousch, for an Alsatian church. Read the full article here.