Mark Grotjahn
Mark Grotjahn combines gesture and geometry with abstraction and figuration in visually dynamic paintings, sculptures, and works on paper. Each of his series reflects a range of art-historical influences and unfolds in almost obsessive permutations.
Grotjahn was born in Pasadena, California. He received a BFA from the University of Colorado at Boulder and an MFA from the University of California at Berkeley. While studying in California, he began his first major project, Sign Exchange (1993–98), in which he painted replicas of signs that he saw in stores around Los Angeles, then had the store owners display his hand-painted versions in place of the originals. In 2001 Grotjahn began the Butterfly series. These geometric paintings and drawings explore the constructs of dual and multi-point perspective and take on various forms as Grotjahn alters their composition and color. Alongside his painting practice, Grotjahn has been making masks since 2000, painting cardboard boxes lying around his studio and affixing paper tubes between cut-out “eyes.” In 2016 Grotjahn began the Capri works (2016–), seeking to break away from the Face paintings in favor of a more experimental, spontaneous working process. Throughout his work, by finding variations within his immediately identifiable style, Grotjahn reveals the complexities of authorial gesture.
Source: Gagosian
Air Mail gives their Arts Intel Report review of David Salle’s curation of Beautiful, Vivid, Self-Contained.
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M.H. Miller reviews Beautiful, Vivid, Self-contained in the April 13th 2023 “T List” newsletter for T Magazine.
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ARTnews gives a behind-the-scenes look into the curatorial process of Beautiful, Vivid, Self-contained.
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Artnet publishes an excerpt of David Salle’s essay that he wrote as a part of his curation for Beautiful, Vivid, Self-contained.
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