Giambologna
Jean Boulogne (1529 Douai, Flanders, now France – 1608, Florence Italy) better known as Giambologna, was a driven worker, completely focused on his art and the reputation it could bring him. Despite the possibilities afforded by Giambologna’s participation in Italian Renaissance court life, he was illiterate and never fully mastered the Italian language.
This immigrant became one of the most influential sculptors in Italy between 1550 and 1600. He designed elaborate fountains for the aristocratic patrons of northern and central Italy, especially for the Medici, who wanted to incorporate large sculptural projects into the landscapes of their Tuscan residences. In addition to large-scale projects, Giambologna also created smaller-scale works in bronze. His reputation among contemporaries derived in part from the wide distribution of his works through small-scale bronzes. His large workshop with its many assistants made these small bronzes and continued to reproduce them even after his death. These reproductions were so prized they were often given as diplomatic gifts to foreign envoys, ambassadors, and royalty.
The New York Times reviews and recommends Beautiful, Vivid, Self-contained as one of the top exhibitions to visit in June 2023.
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Air Mail gives their Arts Intel Report review of David Salle’s curation of Beautiful, Vivid, Self-Contained.
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ARTnews gives a behind-the-scenes look into the curatorial process of Beautiful, Vivid, Self-contained.
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Artnet publishes an excerpt of David Salle’s essay that he wrote as a part of his curation for Beautiful, Vivid, Self-contained.
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M.H. Miller reviews Beautiful, Vivid, Self-contained in the April 13th 2023 “T List” newsletter for T Magazine.
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