Callum Innes
Callum Innes was born in Edinburgh in 1962. He studied drawing and painting at Gray’s School of Art from 1980 to 1984 and then completed a post-graduate degree at Edinburgh College of Art, in 1985. Innes began exhibiting in the mid-to-late 1980s and in 1992 had two major exhibitions in public galleries, at the ICA, London, and the Scottish National Gallery of Modern Art, Edinburgh. Since then he has emerged as one of the most significant abstract painters of his generation, achieving widespread recognition through major solo and group exhibitions worldwide.
Innes tends to work alternately on a number of disparate series, each of which he repeatedly revisits. In his Exposed Paintings a single color, mixed by the artist, is brushed onto the canvas. Turpentine is then repeatedly applied by brush to remove the paint before it begins to dry. Innes washes away or, as he has described it, “unpaints” the canvas, leaving all but the faintest vestigial traces of color. The result reveals varied veils of color buried within the seemingly monochromatic single pigment. Each finished painting thus suggests a freezing in time of the otherwise momentary arrest of an ongoing process. The play between the additive and subtractive process, the making and unmaking, underlies this sophisticated body of work.
The New York Times reviews and recommends Beautiful, Vivid, Self-contained as one of the top exhibitions to visit in June 2023.
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Air Mail gives their Arts Intel Report review of David Salle’s curation of Beautiful, Vivid, Self-Contained.
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ARTnews gives a behind-the-scenes look into the curatorial process of Beautiful, Vivid, Self-contained.
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Artnet publishes an excerpt of David Salle’s essay that he wrote as a part of his curation for Beautiful, Vivid, Self-contained.
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M.H. Miller reviews Beautiful, Vivid, Self-contained in the April 13th 2023 “T List” newsletter for T Magazine.
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