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20260720 Final
Hao Liang, Red Nose (part I), 2017, ink and color on silk, in 3 parts, 10 3/4 × 7 inches (27.4 × 17.7 cm) © Hao Liang. Courtesy Gagosian.

Curated by Xin Wang, Thucydides Fever Dream traces the hallucinatory cadence of history as manifest in multiple facets of contemporary Chinese life, culture, and geopolitical relations, be it to the West (ancient and modern), the former Eastern bloc, Central Asia, or Africa. Just like this year’s improbable social media trend of Chinamaxxing, China’s recent fascination with Greco-Roman classics as both statecraft (Xi’s evocation of “Thucydides’s Trap” during Trump’s 2026 visit to Beijing) and vernacular metaphor (young people referring to adulting struggles as their “Odyssey era”) illustrates a perpetual dynamic, where any self-fashioning–and indeed self-knowledge–is forged through other(s), in porous and often adversarial relationships. Drawing from the Hill Art Foundation’s own collection that already constellates art-historical connections across space and time, the exhibition brings together loans as well as fresh debuts to invite collective speculations—not only on the trajectory of China, but also on what is shared, what is selectively remembered, and what resurfaces and haunts—ghosts and algorithms alike.

1993 大雨 Heavy Rain143x183cm 布面油画 (1)
Liu Xiaodong, Heavy Rain, 1993. Oil on canvas, 56⅕ × 72 inches (143 × 183 cm). © Liu Xiaodong; Courtesy of the Artist
A white canvas with thin black lines running across lengthwise.
Zhao Yao, A Few Ordinary Parallel Lines 24.S.04__571300 7,7,5,8,7,10,8,8,6,7;7,9,9,9,8,11,11,9,11,12; 11,11,10,11,9,9,9,9,11,11;10,10,10,11,10,9,11,11,1 0,8; 10,9,8,7,8, 2024. Eggshells, linen, soft gel (matte), and carbon paper, 8 1/3 × 11 4/5 × 4/5 inches (21.2 × 29.9 × 2 cm). ©Zhao Yao, Courtesy of Ota Fine Arts.
LOWRES DJY 2024 Yúqiáo (The Fisherman And The Woodcutter) No.20 RGB 300dpi (1)
Duan Jianyu, Yúqiáo (The Fisherman and The Woodcutter) No.20, 2024. Oil, acrylic, oil-based marker and oil pastel on canvas, 70 4/5 × 78 3/4 inches (180 × 200 cm). Courtesy of the Artist and Vitamin Creative Space.
Untitled Design (3)
Pan Caoyuan, Secluded Play 1 幽戲 1, 2023. Lacquer on wood panel: natural lacquer, mother-of-pearl, mica, and silver, 15 ¾ × 11 ¾ × 1 ⅝ in (40 × 30 × 4 cm). Courtesy of the artist.
A woman stands in a steel armature structure. Her left arm is raised, while the other extends behinds....
Liu Chuang, Wet Metal and Cotton Dance, 2025. 2-channel (each 8:5), color, stereo, 45min. In collaboration with the Bakhor State Dance Ensemble named after Mukarram Turgunbaeva and the Memorial House Museum of Tamara Khanum. Commissioned by the Uzbekistan Art and Culture Development Foundation for the Inaugural Edition of Bukhara Biennial. Courtesy of the artist and the Antenna Space.
Artist List

Bernd and Hilla Becher 

Chen Ronghui 

Chen Xiangyun 

Charles Clough

Thomas Crow / Yue Minjun

Cloris (Han) Dong

Duan Jianyu 

Hao Liang 

Li Songsong 

Liu Chuang 

Liu Wei 

Liu Xiaodong 

Lu Yang 

Agnes Martin 

Pan Caoyuan 

Qiu Xiaofei 

Ed Ruscha 

Charles Simonds 

Hiroshi Sugimoto 

Sun Xun 

Anthony van Dyck 

Wang Guangle 

Wang Ye 

Andy Warhol 

Christopher Wool 

Wu Ziyang 

Huidi Xiang 

Yu Hong

Zhang Xiaogang 

Zhao Yao

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