“After making layered, silk-screened floral patterns in the 1990s, Mr. Wool became more gestural; three extraordinary paintings here from the 2000s, with cloudy spray-gun loop-de-loops and merciless erasures, exhibit a simultaneous love and doubt of abstraction that recalls the best of Albert Oehlen. His enthrallingly difficult later silk-screens cannibalize his own archive, discordantly remixing earlier works and treating paint as both material and information.”