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An artwork hang on a white wall with a white frame of ink splashes on hanji paper with burned holes...

Minjung Kim
Phasing, 2017
Mixed media on mulberry Hanji paper
57 1/16 x 81 1/2 inches
Private Collection
©️Minjung Kim
Photo by Matthew Herrmann

A gray background color with white circular marks in multiple rows.

Cy Twombly
Untitled, 1970
Oil and oil stick on canvas
61 1/8 x 74 3/4 x 2 inches
© Cy Twombly Foundation
Photo by Matthew Herrmann

Minjung Kim
Phasing, 2017
Mixed media on mulberry Hanji paper
57 1/16 x 81 1/2 inches
Private Collection
©️Minjung Kim
Photo by Matthew Herrmann

Cy Twombly
Untitled, 1970
Oil and oil stick on canvas
61 1/8 x 74 3/4 x 2 inches
© Cy Twombly Foundation
Photo by Matthew Herrmann

“What does she have in common with the other artists whom we collect in depth? Her integrity and rigor are always in evidence in her art. Classically trained and with a deep appreciation of the history of art, Minjung is also highly innovative: a “risk taker/ game changer” in that she is not afraid to merge the ink traditions of East Asia with a modernist European painting practice. Her art is special because it combines the traditions of Korean ink and watercolor and calligraphy with concepts of minimalism and abstraction.”

-J. Tomilson Hill, excerpt from Minjung Kim catalogue

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