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From Holland Cotter
A square canvas featuring series of thin, black horizontal lines against a gray background.

The New York Times recommends The Writing’s on the Wall: Language and Silence in the Visual Arts as one of the top exhibitions to visit in February 2025.

The success of a personal-choice group exhibition like “The Writing’s on the Wall: Language and Silence in the Visual Arts” at Hill Art Foundation naturally depends on the tastes and curatorial skills of the chooser. And with the writer Hilton Als in charge we’re in good hands. In a wall text, Als writes of his interest in art that suggests equivalencies with language, spoken or written, in terms of its expressive dynamics (loud, soft; dark, light), and its ability to suggest silence — that most radical of sonic conditions. Read the full article here.

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