Minjung Kim, Timeless, 2019. Mixed media on mulberry Hanji paper, 74 7/8 × 51 1/4 inches (190 × 130 cm).
The New York Times reviews Minjung Kim’s exhibition at Hill Art Foundation, Kim’s first career survey.
Last year we saw the paintings and photography of Christopher Wool (black, white, gray) and the sculptures of Charles Ray (silver , aluminum); now the Hill turns to Minjung Kim, a South Korean artist whose painstaking, profoundly beautiful ink paintings deploy, in the main, a muffled palette of grays and blacks. Read full review here.
The New York Times reviews Minjung Kim’s exhibition at Hill Art Foundation, Kim’s first career survey.
Last year we saw the paintings and photography of Christopher Wool (black, white, gray) and the sculptures of Charles Ray (silver , aluminum); now the Hill turns to Minjung Kim, a South Korean artist whose painstaking, profoundly beautiful ink paintings deploy, in the main, a muffled palette of grays and blacks. Read full review here.