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From Jason Farago
Large sculpture on white pedestal of a mountain lion that is hunched over with its muscles flexed...
Charles Ray, Mountain lion attacking dog, 2018. Sterling silver, 25 1/2 x 77 1/4 x 29 inches (64.8 x 196.2 x 73.7 cm). © Charles Ray; Courtesy of Matthew Marks Gallery.

The New York Times reviews Three Christs, Sleeping Mime, and the Last Supper Pagan Paradise: Charles Ray and the Hill Collection.

Bronze statuette works grew in refinement and finish later in the Renaissance and into the Baroque era. The financier and art collector J. Tomilson Hill, whose collection of bronzes went on view at the Frick in 2014, now exhibits his cache of statuettes in an airy, white-walled space in Chelsea — alongside works of contemporary art. Right now at the Hill Art Foundation you can see five Renaissance bronzes alongside the sculpture of Charles Ray, the deep-thinking and slow-working Los Angeles sculptor who has rethought the classical tradition for our age as profoundly as Bertoldo did for his. Read the full article here.

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