Charles Ray
Charles Ray (b. 1953) grew up in Chicago and moved to Los Angeles in 1981, where he currently lives and works. His art has been featured in Documenta, three Venice Biennales, and six Whitney Biennials, and his sculptures have been the subject of five retrospectives. The first was organized in 1998 by the Museum of Contemporary Art in Los Angeles and traveled to the Whitney Museum of American Art in New York, and the Museum of Contemporary Art in Chicago. The second was from 2014 to 2015 at the Kunstmuseum Basel and the Art Institute of Chicago. In 2022, a solo presentation opened at The Metropolitan Museum of Art in New York as well as simultaneous solo exhibitions at the Centre Pompidou and Bourse de Commerce in Paris.
Ray has devoted most of the past decade to creating sculptures of figures, animals, and inanimate objects, often carved from solid blocks of stainless steel or other metals in a state-of-the-art process that combines skilled handwork with industrial technology. He works slowly, often spending years studying his subjects and sculpting different versions at various scales. His attention to detail is meticulous, the faintness or sharpness of each part carefully calibrated to guide the viewer’s attention around the work as a whole.
Essay to accompany Three Christs, Sleeping Mime, and the Last Supper
Pagan Paradise
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The New York Times reviews Three Christs, Sleeping Mime, and the Last Supper Pagan Paradise: Charles Ray and the Hill Collection.
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The Mountain lion attacking dog by Charles Ray is a sculpture that evokes a strong emotional reaction to a graphic, yet cinematic scene of a mountain lion feasting on a dog.
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Naomi Fry of The New Yorker interviews Charles Ray at The Met, discussing his favorite pieces there as well as his new show at the Hill Art Foundation.
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The Brooklyn Rail reviews Charles Ray’s exhibition at the Hill Art Foundation.
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