This site uses cookies. Privacy Policy.

close
A neutral colored box frame with a background that has painted cherries on it and a brick colored...
Robert Gober, Plunger/Cherries, 2001-2017. Terra-cotta, acrylic paint on fabric, 14 15/16 x 13 3/8 x 4 5/16 inches (37.9 x 34 x 11 cm). ©Robert Gober; Courtesy of the artist and Matthew Marks Gallery.
Highlights from the Collection
Education
An image taken from above that depicts two teens sitting on a wooden floor in front of an artwork,...
Teen Curators at Hill Art Foundation
About
The Hill Art Foundation is a public exhibition and education space that presents rotating exhibitions and ongoing arts education programs. Opened in 2019 in a custom-built 7,700 square-foot space in New York’s Chelsea neighborhood, the Foundation is free and open to the public. Exhibitions include works on loan from the Hill Collection, as well as collaborative projects with leading artists, collections, and institutions. The Foundation was founded by J. Tomilson and Janine Hill, collectors and philanthropists based in New York.
About Page
In the News

One striking, insightful, precarious pairing follows another in this frankly incredible group of paintings that Salle has managed to call in. Red stippling in a recent Walter Price echoes the gray atmosphere of an Edgar Degas; abstraction by Amy Sillman looks like a color negative of Albert Oehlen’s, or vice versa; and Martha Diamond, Willem de Kooning and Brice Marden all use wavering, expressive lines — to very different effects, if you think of their individual contexts, but as mere variations on a theme when they’re side by side.

Will Heinrich, The New York Times

Here is a chance to view 20th-century art and sculpture through the eyes of the artist David Salle. Born in Oklahoma, educated in California, Salle came to New York in the mid–70s. By the mid–80s he was known for his diptychs and triptychs—large, compartmentalized canvases that were conceptual and cinematic.

AIR MAIL
PDF Download

On a recent afternoon, at the two-story Hill Art Foundation in Chelsea, the collector J. Tomilson Hill and the artist David Salle stood in front of Salle’s Reliance (1985), a painting of a person, their arms bent a sharp angles, surrounded by a yellow field. To the right was a Rubens, the stoic Portrait of a Gentleman, Half-length, Wearing Black (1628–29). Across the way was Cecily Brown’s The use of blue in vertigo (2022) and Frank Auerbach’s Head of Julia (1985).

Daniel Cassady, ARTnews
PDF Download
Your browser is out-of-date!

Update your browser to view this website correctly. Update my browser now

×